1. Amandine Alessandra

  2. Alexandre Bettler
  3. All Cats Are Grey
  4. Amandine Alessandra
  5. Arabeschi Di Latte
  6. Atwork
  7. Charlotte Coulais
  8. David Weatherhead
  9. do you read me?!
  10. Ferran Lajara
  11. Front Yard Company
  12. Harry Thaler
  13. Household
  14. Jorre Van Ast
  15. Lars Frideen
  16. Loris&Livia
  17. louise blanche
  18. Makin Jan Ma
  19. Markus Bergström
  20. Martino Gamper
  21. misher’traxler
  22. Nelly Ben Hayoun
  23. officeabc
  24. OK-RM
  25. Oscar Diaz
  26. Paul Paper
  27. Peter Marigold
  28. Real-Made
  29. Régis Tosetti
  30. Sarah Gottlieb
  31. Sibylle Stoeckli
  32. Study O Portable
  33. Tomàs Alonso
  34. Amandine is a London based graphic designer and photographer.
    She recently graduated from LCC (London College of Communication) – nonetheless she already owns a successful interior photography company.
    As a graphic designer she develops photographic typography. Her work is being featured world wide in countless books, magazines and blogs which led her to develop a custom photographic typeface for the Optimus Kanguru campaign in Portugal, in collaboration with Euro RSCG.
    Her inspiration is coming mostly from the non permanence and the flux of information that she photgraphs and fixes in installations and body movements.

    About her poster ‘Book as a block, block as a type = booksetting’, Amandine says:
    The adaptation of Thomas Fuller’s phrase “book that is shut is but a block” in the previous bookshelves installation was illustrated by my use of the book for their shape and colour, rather than content; as it is, Muller-Brockmann orange grid book is only interesting for its vermilion a4 shape.

    Building up the letters also reminded me very much of typesetting, as every type made of colored books had to be blocked with white books, just as it is done in letterpress, where large areas of white space are created by wooden blocks called furniture.